In this composition, there is a sense of immersion within a flow of time and a feeling of being slowly pulled along by underlying currents, while dynamic forces – such as low pulses, Doppler-like disturbances, and rhythmic punctuations –exert their influences. The interplay of diverse energies beyond our control evoked some of the feelings I have had during this epic time of a global pandemic. – RW
(Upcoming on Navona Records for 2020 release)
The inspiration for this work came to me one night while listening to the sounds of a windstorm. As the wind increased and diminished in cycles, the room was filled with changing patterns of shadows cast on the walls by the movements of branches and leaves – reminding me of memories that flicker on the surface of our subconscious. – RW
(Upcoming release August 14, 2020 on PRISMA Vol 4, Navona Records NV6298)
Program note: Full Circle is a contemplation of cycles of emotion that continually emerge and recede throughout life. The music is written for a subtle interplay between the soloist and the orchestra, rather than the traditional role of the soloist being in the forefront. My intention is a shifting of perceptions in which the soloist emerges from the orchestra, in much the way that intense feelings rise from the unconscious, giving voice to emotional currents, and then recede back into the subliminal. A metaphorical image that comes to my mind is of a figure becoming discernible as it emerges from a dense mist, then recedes, blending again into the atmosphere, only to reemerge as a presence again. – RW
Recorded by the Moravian Philharmonic Orchestra, Petr Vronský conductor and Petr Nouzovský cello for PARMA Recordings.
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Video features the PARMA recording by the Croatian Chamber Orchestra with Miran Vaupotić, Conductor, and Mojca Ramušćak, violin soloist.
Program Note: As with most of my works, the music arises from the emotional experience of life. I think of this as a reflection on the passages of emotion — that ebb and flow of the feelings that continually emerge and recede repeatedly throughout life. The music is written to balance the interplay between the soloist and the orchestra, rather than the traditional role of the soloist being in the forefront. The soloist should seem to emerge from the orchestra in much the way that intense feelings seem to surface from the unconscious, giving voice to our inner emotional currents, and then recede back into the chorus of the subliminal. – RW
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Release 2/12/2016: Dream Vapors – selected works for orchestra, Navona Records, Czech Philharmonic Orchestra, Robert Ian Winstin, Conductor
(Original Release 2007: Masterworks of the New Era, Volume 11 – ERMMedia-6811 no longer available)
Program note: Recurrent punctuations of an urban soundscape reverberate in the late hours and mix with an emotional insight suffused with sadness and clarity that dreams and conflict will continue, insistent and inconsolable. –RW
Re-Release 2/12/2016: Dream Vapors – selected works for orchestra, Navona Records, Moravian Philharmonic Orchestra, Petr Vronsky, Conductor
Original release 9/2014: Luminescence, Navona Records, NV5969
Program note: Reflecting on a first invitation to dance, and the continuation of the dance of love. … a tenderness of touch; … a lingering embrace; … dancing a circular space; … a song of two. –RW
Release 2/2016: Dream Vapors – selected works for orchestra, Navona Records, Russian Philharmonic Orchestra, Ovidiu Marinescu, Conductor
Original Release 4/2011: Light and Shadow, Navona Records, NV5847
Program note: Tracing a Dream taps into the impressionistic logic of emotions and dreams. Within this realm there is a fluidity of connections and sequences that is governed by emotional contexts, rather than rational order. Music has the capacity to heighten and distill emotions through juxtapositions that might otherwise be thought to be unlikely – comparable to dream imagery. – RW
Released 7/8/2016: SPARKS, Navona Records, NV6050
Moravian Philharmonic Orchestra, Petr Vronsky, Conductor
Program note: The inspiration for Still Motion arose from a combination of sorting through the emotional residue of year’s end and the impatient desire to move ahead with life with a new year’s beginning. It is a mix of edgy energy, reflective sadness and strength of conviction. –RW
Re-Release 2/12/2016: Dream Vapors – selected works for orchestra, Navona Records
Original Release 2008: Masterworks of the New Era, Volume 12 – ERMMedia, Czech Philharmonic Orchestra, Robert Ian Winstin, Conductor
Program note: Shredding Glass began as an immediate cathartic response to the events and images of September 11, 2001. It was not until several years had passed that I was able to complete the work. To me this piece represents the essence of an emotional remembrance of how a sense of time and timelessness unfolded while coping with the realization, heartbreak and impact of this catastrophic event. I believe the music is ultimately about transcendence. –RW
Release 2/12/2016: Dream Vapors – selected works for orchestra, Navona Records, Moravian Philharmonic, Petr Vronsky, conductor.
Program note: The intangibility of perceptions – the quiet subtle shifting of perceptions between reflection, translucence, and transparency. – RW
Re-Release 2/12/2016: Dream Vapors – selected works for orchestra, Navona Records, Moravian Philharmonic, Petr Vronsky, Conductor
Original release 2012: Paradigms, Navona Records
Program Note: Tapping into the impressionistic logic of emotions and dreams, moving through an interior space where logic dissolves and language gives way to subconscious rooms and pathways where memories play like shadows cast against a screen of emotion.
Memories of Place arose from emotional memories of a time traveling and living in Greece, Egypt and Turkey. It is a recollection of that time, not as a literal transcription of melodies, but rather as an emotional memory of aural textures, painted with a broad brush of modal sound. – RW
I. Pulses of Distraction
II. Empty Corners
III. Pulling Apart
Chromatic, strong tonal centers, neo-romantic and minimalist influences, atmospheric textures and rhythmic pulses without traditional harmonic development. Traces the stages of the dissolution of a relationship. In Mvt 3, all is irrevocably set in motion.
Released 2/12/2016: Dream Vapors – selected works for orchestra, Navona Records, Moravian Philharmonic, Petr Vronsky, Conductor
Program note: Inspired by the emotional intensity of a dream – careening through dense dark night fog on a bike with no brakes, no control and no visibility, accompanied by alternating interludes of fear and transcendent calm. – RW
I. Running Late
II. Waking From Broken Dreams
III. Yet Still Night
Anxiety segues to a waking insight suffused with sadness and clarity, moving to the inescapable realization that night continues. Recurrent sonic punctuations of city life. Urban soundscape reverberating in the late hours of a night’s existential moment. The final nocturne opens softly with a lullaby motive that becomes insistent and inconsolable
Rain Worthington is a Sponsored Artist with Performance Zone, Inc (dba The Field), a not-for-profit, tax-exempt, 501(c)(3) organization serving the performing arts community. Contributions to The Field earmarked for Rain Worthington, in support of her music are tax-deductible to the extent allowed by law.