Rain Worthington

My Title Contest at the Cello Museum!

A fun title quest for my new solo cello piece through the Cello Museum.
Please feel free to enter, or share with other cellist friends.

Composer Rain Worthington has a new composition for unaccompanied cello, and it needs a title. We thought it might be fun for one of our Cello Museum family members to help her name the piece, so we are making the process into a contest.

Listen to the Untitled Piece

(We don’t often share videos with midi cello sounds. The Cello Museum, by definition cello-centric, focuses on real cellos and cellists rather than synthesized ones. However, as this work is so new that the ink is still drying, we are making an exception, so that you can listen to it to help give you inspiration for your title ideas.)

How to Enter the Contest

Contact us with your suggested title and your name as you’d like it to appear in publicity if your title is the winner.
Optional: Tell us what inspired your title suggestion.
All entries must be received by midnight EST on 10 March 2021.
Complete info at the Cello Museum

Bassist Joel Braun performs “BaDaBaDaDa”

I am honored that bassist Joel Braun selected my piece BaDaBaDaDa for his presentation at the Texas Music Educators Association 2021 Convention. Joel will be presenting an excerpt, but also generously made this performance video of the full piece. I love the sense of lyricism and sensitivity of dynamics he brought to the work. Plus, I’m very grateful that he shared his thoughts on the technical aspects of the work.

In my presentation I’m giving it as an example of an intermediate level piece… so maybe a 4 or 5 out of 10 on a scale? Note-wise it’s not terribly difficult. The end of the first page and second page offer some challenges because it requires covering a little more space with the intervals in the longer lyrical lines. There are also intonation challenges since it leaves the bass so naked and there’s enough repetition that if it’s not the same for each time it’s very noticeable. Otherwise, most of the challenges are musical like you mentioned – dynamic contrasts, timing/tempo, etc. So I think an intermediate player could handle it but also be challenged and pushed musically.

Belated Thanks! to the musicians for their 2019 performances

In the past, I have made it a personal tradition to send out a Thank You to the musicians who performed my works during the year. But in this surreal year of 2020, when time seems to warp and nothing has been normal, my traditional thanks got overlooked. Now, as live performances seem more precious than ever, I want to send a much belated Thanks.

Thanks for the wonderful
performances and premieres of my music in 2019.


From Poland to Brazil, Belgium to Kosovo
From Wisconsin to D.C. to New York…
Thanks to these wonderfully gifted musicians
I am so grateful for their skill, sensitivity, and artistry!

Orquestra Sinfônica de Limeira, Rodrigo Müller, conductor, world premiere “Shredding Glass” Teatro Victoria, as part of the “VI Encontro Internacional de Cordas” Limeira, Brazil;
Kinga Augustyn, violin, “An Evening Indigo” & “Frost Vapors“, Wroclaw Old Town Hall, Poland; Kosciuszko Foundation, Washington D.C.; Queens New Music Festival, & Mezzrow, NYC;
Erëmira Çitaku, flute & Cagatay Akyol, harp, world premiere “Imagined Tango” Flute Sound Festival, National Library of Kosovo, Prishtinë, Kosovë;
Jane Boxall, marimba, “Gathering Steam” KM Music Conservatory, Tamil Nadu, India;
2Flutes: Pamela Sklar & Laura Falzon, “Duets for a Duo” “New York Tapestries” CD Release Party & Concert, The Tank, NYC;
Sergio de Oliveria, contrabass, “BaDaBaDaDa” Palacete de Levy, in the “VI Encontro Internacional de Cordas” Limeira, Brazil;
Calvin Wiersman & Conrad Harris, violins, “Night Stream” Locrian Chamber Players, Riverside Church, NYC;
eGALitarian Brass, “Only to Ask” Festival of Women Composers, Spectrum, Brooklyn NY;
Anna Maria Manalo, violin, “An Evening Indigo” Friday Noon Musicales, First Unitarian Meeting House, Madison, WI;
Géraldine Fastré, clarinet & Bruno Ispiola, cello, “A Moment’s Impression” Osmose Intermezzo concert, Bruxelles, Belgium

Thanks also to the Radio Producer/Hosts
for the interview opportunities. It was such a pleasure!


Dave Lake, Producer & Host “Contemporary Classics”
radio broadcast & webcast WRUU 107.5 Savannah, GA
David Osenberg, Producer & Host “Cadenza”
radio broadcast & webcast, WWFM –The Classical Network

“Shadows of the Wind” on Navona Records PRISMA Vol 4

PRISMA Vol 4 release of Shadows of the Wind recorded by the Janáček Philharmonic Orchestra with Stanislav Vavřínek conductor and Ivo Fišer cello.
Program note: The inspiration for this work came to me one night while listening to the sounds of a windstorm, as the wind increased and diminished in cycles, the room was filled with the changing patterns cast by the movements of branches and leaves. Unlike many of my works that tie in more specifically to a memory, dream or emotional response to an experience, this work has a broader wash of mystery as if looking out from a perspective of a high place as shadows of time and memories travel in waves over a vast emotional landscape below. – RW

(Youtube trailer includes a very brief excerpt of the opening at 4:19)

“Music is not a Competitive Sport” with Rain Worthington


I had a totally cool time connecting with up-and-coming conductors Jeremy D. Cuebas and Luke Lyons-Hunt for this Podium Time Podcast conversation. Jeremy and Luke are great and we touched on a bunch of interesting topics from a “composer’s perspective” that I hope you’ll enjoy!

Plus this comes at an amazingly synchronistic time with…
a PARMA Live Stage performance on Thursday 8/13 of my string orchestra piece, “Within Deep Currents”
and
the Navona release “PRISMA Vol 4” on Friday 8/14 with a the orchestral recording of “Shadows of the Wind”
(Yep, when it rains, sometimes… it can pour, so I am happily grateful for this celebratory week for my music!)

Moravian Philharmonic performs “Within Deep Currents”


PARMA Live Stage presented the first-ever live performance by the Moravian Philharmonic of my newest piece, hot off the music press Within Deep Currents.

This work was just recorded in June in the Czech Republic for an upcoming 2020 release. Since orchestra sessions, for economic practicalities, are recorded in short segments which are then edited together to form the final piece for release, this is an exciting first for me to be able to hear the full piece played through! 

P.S. It’s a short 6 & 1/2 minutes that conveys some of the feelings I have had during this epic time of a global pandemic – a sense of immersion within a flow of time and a feeling of being slowly pulled along by underlying currents, as dynamic forces exert their influences through an interplay of diverse energies. 

Plus, it’s such a heartwarming pleasure to watch orchestral musicians playing together again! 

Interview by Clem Errol Pearson at the 2020 TUTTI Festival

There was something really sweet about having the chance to engage in this conversation with Clem Errol Pearson during the 2020 TUTTI Festival at Denison University. (Who knew that it would be one of the last opportunities in quite a long while to be able to have a casual conversation in a bustling local coffee shop?) For brevity, this is Clem’s shorter edited version of the whole conversation, but a very nice presentation of some of the topics we talked about… sources of compositional inspiration, economic changes and shifts in music listening habits that have epically affected the field of contemporary classical music.
Clem Errol Pearson is a very cool Violinist/Composer/Conductor in his own right | Denison University class of 2020

Hope you enjoy it.

Personal Remembrance Tribute to Composer Marga Richter



Marga Richter’s son Michael sent me the heartbreaking news of the passing of my best friend, composer Marga Richter.

Marga lived each day of her 93 years completely on her own terms. She was lucid and still composing new works until her last days. She passed peacefully of natural causes at her new home in Barnegat, NJ on June 25, 2020.

I first met Marga at a meeting of New York Women Composers members. I entered the room late and took the one empty seat next to hers. She told me her name and asked who I might be. When I replied, she exclaimed “Wonderful! You are the reason I came to the meeting – I wanted to meet you.” That got my attention. We instantly became part of each other’s lives.

Marga was an extraordinary woman and composer. She was one of those rare people whose sense of self-worth and unshakable belief in the value of her work were the essential core of her being. Often within minutes after meeting Marga you would learn that she was a composer, not because of an arrogance, but rather because of her genuine enthusiasm to share her gift of music with you. And, reciprocally, within minutes she would also be interested to discover if music had been a part of your life. After meeting a new doctor, or new person during her long walks, or a helpful clerk in a grocery store, she would relay with great delight that they had studied piano when they were six, or they took band in high school, or their child had just taken up cello! etc. And, she would invite them to her house to play her music for them or send them her scores and CDs.

She will be missed by so many who accepted her invitations to visit her in Long Island or in Vermont in the summer.

She approached life as a “take it as it comes” adventure, with passion and openness to experiences. I never recall Marga exhibiting any sense of fear. She approached situations with an open curiosity as “Hmm, I wonder where this will lead?” And in response, whenever she needed help, perfect strangers appeared on the scene who were willing to drop whatever they were doing to help her find her way through the subways or streets. She was a force of nature and brought out the best in others. She enriched lives.

Marga was a pioneer, pursuing composition with conviction when there were few women composers attempting to enter the field. Importantly, her music was recognized as substantially significant and began to be performed by orchestras and recorded by prestigious classical labels, such as MGM Records. Her music is dramatic, personal, emotionally charged chromaticism (not 12-tone) combined with strong tonal centers, modal orientation, strong rhythmic drive. Music was her primal language, her spiritual path through which she shared her elemental emotional experiences. From within her open, unguarded approach to life, she was able to plumb the deepest complexities and depths of human emotion in her profound music.

I will deeply miss her friendship and active presence in my life, as will the many others whose lives she touched.
Personal condolences and remembrances for Marga’s family can be emailed to her son Michael Skelly at: [email protected]

To get to know her more, please explore these other links.
Composer website
Tenor Will George wrote a lovely remembrance of Marga, which includes many links to her music.
Rare archival video footage from a series of “Hear & Now” interviews hosted by Judith St. Croix for American Cable Systems features “An Exploration of the Creative Mind” with composer Marga Richter discussing her creative process and her piece “Landscapes of the Mind 1.” is posted on the NYWC YouTube channel
A brief interview with Marga by filmmaker Leslie Streit for the documentary “An American Ballet Story”
Sharon Mirchandani’s biography of Marga
Marga’s album releases on Amazon
Her sheet music is available from Theodore Presser
Her NYWC Profile page has a listing of works & CDs

Feb 16 at Carnegie Hall – “Still Motion” on DCINY‘s concert

I am thrilled to announce this career highlight. Conductor Miran Vaupotić and Distinguished Concerts International NY (DCINY) selected my short orchestral piece Still Motion for their “Perpetual Light” concert program.

The program will open with Conductor Miran Vaupotić and the DCINY Orchestra performing works by composers Sergio Cervetti, Arthur Gottschalk, Mark John McEncroe and myself.

The second half will feature “Requiem” by English choral composer, John Rutter with Conductor, Jonathan Griffith and the DCINY Orchestra and Singers.

Tickets & Seating chart

Here’s a preview excerpt video I created with the opening of Still Motion.

A wild ride with Dave Lake on Contemporary Classics


Wow, this is a wild ride that you will need to approach with a full open mind and adventurously open ears! With the erudition of a musicologist, Dave Lake is interested in all facets of the music scene. So in his exploration of my journey to becoming a composer it made total sense to add music from my early downtown NYC ensembles, Zone and Hizohi into the mix. Then moving on to some of my first notated instrumental duos and on to some pivotal orchestral pieces! It’s a journey for the adventurous for sure! On WRUU Contemporary Classics 107.5 FM Savannah, GA.

(The core Zone ensemble was bass Mitch McNeil, percussion Mustafa Ahmed, sax Charles Compo, guitar Mark Worthy, Susan Smith Compo adding some occasional vocals & me on a very basic early Casio keyboard. The Roulette performance is a duo gig with vocalist Jill Burton and me on synth. Music tracks also feature 2Flutes: Pamela Sklar & Laura Falzon; violinist Moonkyung Lee, & pianist Martha Locker; cellist Petr Nouzovský, conductor Petr Vronsky & the Moravian Philharmonic; and a shout out to cellist, Carmine Miranda and PARMA Recordings.)

2Flutes’ CD Release Party & Concert, Sept 25th at the Tank, NYC

7-9 pm Wednesday, September 25th at The Tank. If you are a fan of beautiful flute music… here you have 2Flutes! Laura Falzon & Pamela Sklar are celebrating the release of their album “New York Tapestries” with a release party concert.
The CD weaves together works by composers Marilyn Bliss, Rain Worthington, Pamela Sklar, Alyssa Reit and Victoria Bond to form a tapestry of the city, creating a diversity of musical narratives and conversations.

Composers & works featured
Marilyn Bliss IT WAS THE WIND
Rain Worthington DUETS FOR A DUO
Alyssa Reit WHEN THE CLOUDS CLEAR
Pamela Sklar FLASHES OF INSPIRATION AND JOY
Victoria Bond WOVEN

David Osenberg with Rain Worthington in a 2-Part “Cadenza” webcast

Cadenza- Rain Worthington, composer Part 1
Cadenza- Rain Worthington, composer Part 2
Producer/Host David Osenberg concludes his “Summer Celebration of Women” on Cadenza, with a two-part conversation with Rain Worthington, Composer on WWFM – The Classical Network.
One of my great pleasures is having conversations about ideas, life, art and music. So, it was a treat to meet up with David Osenberg in New York City. David is a wonderful interviewer and easy conversationalist. Hope you enjoy listening.

Both segments are posted online, along with David’s phenomenal line up of previous Cadenza interviews!

Sonograma Magazine “The Communicative Mystery of Instrumental Music”

It was a wonderful treat and honor to be asked by Sonograma Magazine to write an article about my music. I am very proud of my article focusing on the “The Communicative Mystery of Instrumental Music.” It was an interesting process to formulate these thoughts about the intuitive emotional communication in music.
Plus what a great online format in Sonograma Magazine that allows for videos, audio and score samples to be part of the graphic presentation. Check it out online at Sonograma.
Many thanks to Maria Ivanova, Communication & Design editor.
Hope you enjoy it. (the article is written in English)

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Rain Worthington is a Sponsored Artist with Performance Zone, Inc (dba The Field), a not-for-profit, tax-exempt, 501(c)(3) organization serving the performing arts community. Contributions to The Field earmarked for Rain Worthington, in support of her music are tax-deductible to the extent allowed by law.

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