Rain Worthington

Yet Still Night

Release 2/12/2016: Dream Vapors – selected works for orchestra, Navona Records, Czech Philharmonic Orchestra, Robert Ian Winstin, Conductor
Score available through Subito Music Distribution
(Original Release 2007: Masterworks of the New Era, Volume 11 – ERMMedia-6811 no longer available)

Program note: Recurrent punctuations of an urban soundscape reverberate in the late hours and mix with an emotional insight suffused with sadness and clarity that dreams and conflict will continue, insistent and inconsolable. –RW

Shredding Glass – single

From the title alone, one would expect Rain Worthington’s Shredding Glass, performed by the Czech Philharmonic, to be a work of brutal nature, especially when put in the context of its original inspiration: the events of 9/11. But Worthington’s piece provides the listener instead with exquisite disintegration, mere glass filaments casting light in all directions, with an undercurrent of unresolved apprehension. …The texture is transparent but luminous, reminiscent perhaps of the late works of Mahler.”

— Scott Locke ((Journal of International Alliance of Women in Music)

(original release: Masterworks of the New Era, Volume Twelve ERM-6827)

Yet Still Night – single

“Yet Still Night for orchestra plays out the dichotomy of outward naiveté/underlying sophistication on a larger scale. You first think this is a lullaby, rocking back and forth between D-flat and B-flat in quarter notes that wander around the orchestra. But this is an urban lullaby, and the nocturnal world intrudes in growing chromatic lines and thickening textures.”

— Kyle Gann (Chamber Music, August, 2003)

“Yet Still Night by Rain Worthington is a haunting symphonic composition that mesmerizes in its opening bars with glowing tonalities and deceptively simple themes. A nocturne which might be imagined in the wee hours of a sleepless night, it develops into a rich web of suspenseful moments as the string section walks the listener through a series of ever opening doors one would rather not look behind. The brass might cry out in alarm at what one might find but the pace continues nonetheless. A series of insistent chromatics propel one forward until the last door is opened and the final cry of release is heard in the brass. Alfred Hitchcock would approve.”

— Therese McNally, Writer and AGMA member

(original release: Masterworks of the New Era, Volume Eleven, ERM-6811)

Connect with Rain

  • Facebook
  • YouTube
  • Twitter

Support Rain

Rain Worthington is a Sponsored Artist with Performance Zone, Inc (dba The Field), a not-for-profit, tax-exempt, 501(c)(3) organization serving the performing arts community. Contributions to The Field earmarked for Rain Worthington, in support of her music are tax-deductible to the extent allowed by law.

Contribute to Rain’s Recordings

To stay in touch, join my mailing list

  • This field is for validation purposes and should be left unchanged.

0
    0
    Your Cart
    Your cart is emptyReturn to Music